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Color and effects for DaVinci Resolve

Supercharge yourworkflow.

Editing assets for DaVinci Resolve.

Where to start

02 / Effects

EditingEffects

Fusion effects that land on the clip with every control still exposed.

Coming soon

03 / Sound

SFX

Impacts, risers and room tone, cut and cleaned for the timeline.

Coming soon

What comes with every product

InstantDownload, then work
The link is on the confirmation screen and in your inbox. Nothing is shipped, nothing needs activating.
LifetimeUpdates never cost again
Every future revision lands on the same link you already have, for as long as the product exists.
CommercialUse it on paid work
Client films, brand work, broadcast and streaming. No per-project fee and no revenue cap.
EditableNothing is locked
Every node is labelled and every stage can go to zero. Use half of it and build the rest yourself.

Inside the tree

Sixteen nodes. Every one of them comes apart.

This is the tree itself, not a diagram of one: noise reduction, color management, white balance, four parallel corrections mixed back together, then density, masks, skin, print emulation. Follow the signal through it, then take out whatever the shot does not want.

  1. Source
  2. 01. NR
  3. 02. CST IN
  4. 03. WBalance
  5. 04. HIGHs (parallel layer)
  6. 05. SAT (parallel layer)
  7. 06. PRIMARIES (parallel layer)
  8. 07. S-CURVE (parallel layer)
  9. 09. DENSITY
  10. 10. MASKS
  11. 11. SKIN
  12. 12. CORRECT
  13. 13. CST OUT
  14. 14. LUT 1
  15. 15. KODAK
  16. 16. EFFECTS
  17. 08. Layer mixer
  18. Output
00 / 16Waiting on the signal
  • The same Madeira laurel forest frame after grading, with deep teal shadows and separated highlights
  • The same alpine ridge frame from inside the tent after grading, with rich greens and a warm red canvas edge
  • The Drei Zinnen peaks after grading, with cool rock and warm alpine light
  • The same alpine lake frame after grading, with soft pastel flowers and a cool valley

From the people using it

What filmmakers say

  • As someone who dreams of making films, I want the moments I capture to be more than just watchable. I kept chasing something that looked like a film — it was exactly what brings that feeling to life. The results are beautiful, and more importantly, grading stopped being a technical struggle and became a creative game again.
    @bilgesuisikFilmmaker · PowerGrade
  • This PowerGrade gives your footage such rich color and a film-inspired vibe, while also providing lots of flexibility to make it unique to your own style.
    @alinaackwonuFilmmaker · PowerGrade
  • I tried it on some shots from an older commercial, and it made them look way better than my own color grading. My favourite part is how easy it is to tweak the settings and nodes to fit your style — everything is right there, super straightforward. It makes me feel like a pro colorist in no time.
    @kylemarcoeCinematographer · PowerGrade

Why we built it

Fewer steps between the idea and the cut.

We want to make the workflow for filmmakers as smooth as possible. Editing shouldn't be a hurdle, it should be a creative playground.

Our digital assets take the technical friction out of the process, so creators don't get stuck on an editing step but open new doors in their work instead. We love building tools that we would use ourselves, and know that those tools will also be helpful for others.

Watch it work

Six minutes, one timeline, no cuts to the good part.

Promo film in production. This slot takes a YouTube id when it is ready.

Start somewhere

Your next grade is already half built.

One price, one download, and it is yours for good. If it does not install, that is a support problem and we will fix it.